Disruptions and Entry-points
Audio track for Szepty/Whispers
Disruptions and Entry-points
Audio track for Szepty/Whispers
This is the outro audio track for Szepty/Whispers: Dialogue, a digital experience that accompanies the in-person performance. The digital experience juxtaposes various artists’ perspectives on mental health discourse.
Transcript:
[beach ambience: waves hitting the shore, wind, distant voices]
Veronique: There was always a “before” and “after.” Not before and after migration – at least, not exactly. Something else shaped these two worlds that my mother moved between.
[scarcely perceptible whispers]
I couldn’t follow her – but sometimes, when the door was ajar, I could peer through.
[soft, contemplative piano]
[rhythmic tone underscores]
[beach ambience recedes into the background]
From a young age, I was pulled towards the places where reality shows its cracks, its seams. At every opening, I strained my ears, listening for snatches of the other side. Sometimes, this sense of not fully being “here” was an electric charge, an incantation, a miraculous melting away of selfhood. Sometimes, it was a riptide, which hooked my limbs and sent me spinning into the dark.
[piano and tone build]
I couldn’t follow my mother, so I went somewhere else. Still, when I lifted the escape hatch, or slipped between the trees, part of me searched for the sweep of her shadow, the flicker of her footfalls, the whisper of her breath.
[beach ambience rises to the foreground]
[piano and tone fade]
[beach ambience gradually fades]
Disruptions and Entry-points
Disruptions and Entry-points
Audio track for Szepty/Whispers
This is the outro audio track for Szepty/Whispers: Dialogue, a digital experience that accompanies the in-person performance. The digital experience juxtaposes various artists’ perspectives on mental health discourse.
Transcript:
[beach ambience: waves hitting the shore, wind, distant voices]
Veronique: There was always a “before” and “after.” Not before and after migration – at least, not exactly. Something else shaped these two worlds that my mother moved between.
[scarcely perceptible whispers]
I couldn’t follow her – but sometimes, when the door was ajar, I could peer through.
[soft, contemplative piano]
[rhythmic tone underscores]
[beach ambience recedes into the background]
From a young age, I was pulled towards the places where reality shows its cracks, its seams. At every opening, I strained my ears, listening for snatches of the other side. Sometimes, this sense of not fully being “here” was an electric charge, an incantation, a miraculous melting away of selfhood. Sometimes, it was a riptide, which hooked my limbs and sent me spinning into the dark.
[piano and tone build]
I couldn’t follow my mother, so I went somewhere else. Still, when I lifted the escape hatch, or slipped between the trees, part of me searched for the sweep of her shadow, the flicker of her footfalls, the whisper of her breath.
[beach ambience rises to the foreground]
[piano and tone fade]
[beach ambience gradually fades]
Written & performed by
Veronique West
Sound designed & composed by
David Mesiha
This is the outro audio track for Szepty/Whispers: Dialogue, a digital experience that accompanies the in-person performance. The digital experience juxtaposes various artists’ perspectives on mental health discourse.
Transcript:
[beach ambience: waves hitting the shore, wind, distant voices]
Veronique: There was always a “before” and “after.” Not before and after migration – at least, not exactly. Something else shaped these two worlds that my mother moved between.
[scarcely perceptible whispers]
I couldn’t follow her – but sometimes, when the door was ajar, I could peer through.
[soft, contemplative piano]
[rhythmic tone underscores]
[beach ambience recedes into the background]
From a young age, I was pulled towards the places where reality shows its cracks, its seams. At every opening, I strained my ears, listening for snatches of the other side. Sometimes, this sense of not fully being “here” was an electric charge, an incantation, a miraculous melting away of selfhood. Sometimes, it was a riptide, which hooked my limbs and sent me spinning into the dark.
[piano and tone build]
I couldn’t follow my mother, so I went somewhere else. Still, when I lifted the escape hatch, or slipped between the trees, part of me searched for the sweep of her shadow, the flicker of her footfalls, the whisper of her breath.
[beach ambience rises to the foreground]
[piano and tone fade]
[beach ambience gradually fades]